When we think of old, silent films, we’re likely to picture the choppy, fast-paced movements of Charlie Chaplin or Buster Keaton, or perhaps the newsreel footage of Babe Ruth hitting a home run and seemingly zipping around the bases at 40 miles per hour. As talented as these individuals were, they weren’t capable of moving at speeds that far beyond the range of normal people. So why do they appear that way on film?
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Once you have inputted your email, if registering, look for a activation code we sent via Email.
Then place that code either at registration page or I have a verification code, if reregistering.